The world exists through light, and every color, form, and emotion is born from it.
In my abstract paintings, I reconstruct and reinterpret this light, transforming what already exists into new emotional and visual experiences.
For me, abstraction is not about technique or pigment alone but about revealing fragments of my inner self, translated into colors, textures, and radiance. Each work reflects emotions such as emptiness, longing, passion, and quiet healing. During the process, I often write short notes to preserve the truth and emotion of the moment.
Recently, I have expanded this practice by introducing fluorescent pigments that respond to ultraviolet (UV) light. When illuminated, hidden layers awaken as unseen colors and patterns emerge, revealing a parallel reality that lies beyond human perception. Through this duality, my paintings exist both in the visible and the invisible, between memory and presence.
Some may view abstraction as ambiguous or undefined, while others find meaning within its openness. To me, it is both personal and universal, a silent dialogue between the light within the work and the light within the viewer. Whether received with praise or critique, what matters most is that fleeting moment of connection when something once hidden becomes visible and the emotion of light leaves its trace.
